一 | 年底这几天，中国军工领域接连“放大招”！让军迷们以及国人一阵激动。
二 | Hrishikesh Mukherjee started his career in the film world as an editor. He was editor and assistant director to another Bengali great, Bimal Roy, and edited Roy’s films like Do Bigha Zamin (1953), Devdas (1955) and Madhumati (1958). He’s also edited films like Gunga Jumna (1961) and Coolie (1983), among others. Malayalam language films like Chemmeen (1965) and Nellu (1974) have also been edited by him. He branched out as an independent director with the episodic film Musafir (1957). Commercial success followed with films like Anari (1959) and Asli Naqli (1961). But it was with Anupama (1964) which depicted the filial bond between a father and a daughter, that he began to be counted as a director who could successfully marry art and commercial cinema. He went on to make seminal films like Aashirwad (1968), Satyakam (1969), Guddi (1971), Anand (1971), Bawarchi (1972), Abhimaan (1973), Namak Haraam (1973), Mili (1975), Chupke Chupke (1975), Gol Maal (1979), Khubsoorat (1980) and many more. His films were set in middle-class India and were populated with characters who battled emotional crises. The masses were able to relate to his heart-touching stories and characters and that’s why his films are fondly watched even today. Here’s taking a look at some of his best films as a director over the years. In This Article Anupama (1966)Aashirwad (1968)Satyakam (1969)Anand (1971)Guddi (1971)Bawarchi (1972)Namak Haram (1973)Abhimaan (1973)Mili (1975)Chupke Chupke (1975) Khubsoorat (1980)Anupama (1966) Cast: Dharmendra, Sharmila Tagore, Tarun Bose Mohan Sharma (Tarun Bose), a successful businessman, is happily married to Aruna (Surekha Pandit), who unfortunately dies while giving birth to their daughter. Distraught, Mohan Sharma becomes an alcoholic and can’t bear to see his daughter's face. Uma (Sharmila Tagore) is brought up by servants and while she’s beautiful and intelligent, she’s highly introverted and in her heart blames herself for her mother’s death. She begins to love Ashok (Dharmendra) but agrees to marry another man when she learns her father doesn’t like him. Love, however, has changed her and noticing the change, her father finally comes to his senses and lets her lead her own life. Aashirwad (1968) Cast: Ashok Kumar, Sanjeev Kumar, Sumita Sanyal Jogi Thakur (Ashok Kumar) leaves home when he finds out that his wife had ordered the houses of the poor be razed. Later, he kills a man who was trying to rape a girl. He gives himself up and is given a life sentence. Some years later, he’s shown to be friends with the prison doctor (Sanjeev Kumar. He’s happy to learn that his daughter is to be married to the doctor but hides his identity when he comes to know she hates criminals. He’s released on the day of her wedding, and watches it from afar, giving her his final blessings before succumbing to a heart attack. Ashok Kumar was praised for his sublime acting and won both the National Award and the Filmfare Award for his performance. Satyakam (1969) Cast: Dharmendra, Sharmila Tagore The film revolves around Satyapriya (Dharmendra) and his experiments with absolute truth. He fails to save Sharmila Tagore’s character from being raped by his employer and is a fit of guilt, marries her. And this guilt never leaves him but goads him to pursue truth at any cost -- be it the loss of employment, property or even life. Tears fly when Sharmila accepts her dead husband’s harsh way of life and tells her son that he can’t light his father’s pyre as he biologically wasn’t sired by him. Yes, truth has prevailed -- but can the child handle the truth? Anand (1971) Cast: Rajesh Khanna, Amitabh Bachchan Anand was a paean about friendship, about facing life stoically and laughing even at death’s threshold. The film was dedicated to Raj Kapoor and Hrishida allegedly wrote the film as a testimony to his friendship with Kapoor. Rajesh Khanna breezed through the title role of an extroverted cancer patient who faces the terminal stage of his disease with laughter on his face and sees death as another adventure. He lives several lifetimes in his last few months and teaches others, especially his caring doctor Bhaskar Bannerjee aka Babumoshoi, to loosen up and enjoy life more. Bachchan's reserved, restrained performance was the perfect foil to Khanna’s exuberance. The film doesn’t fail to put tear faucets into overdrive with every rerun. Guddi (1971) Cast: Dharmendra, Jaya Bhaduri Though she has acted in Satyajit Ray’s Mahanagar (1963) in a supporting role, Guddi is Jaya Bhaduri’s debut film as far as Hindi cinema is concerned. She played a schoolgirl obsessed with the actor, Dharmendra, in the film. She’s so much into him that she even refuses to marry the man intended for her, saying she can’t love another as she’s totally in love with the actor. Her uncle (Utpal Dutt) meets with Dharmendra and asks her to help out in the situation. The actor has to play out a different role for the girl to realise the difference between the reel and real life. It was a power-packed performance by the youngsters and she came to rule the hearts and minds of the audience as the good girl. Bawarchi (1972) Cast: Rajesh Khanna, Jaya Badhuri, Asrani, A.K. Hangal, Usha Kiran and Durga Khote The film revolves around the dynamics of the dysfunctional Sharma family, comprising Daduji (Harindranath Chattopadhyay), his sons Ramnath Sharma (AK Hangal) and Kashi (Kali Bannerjee), their respective wives Seeta Sharma (Durga Khote) and Shobha Sharma (Usha Kiran), another son Vishwanath Sharma (Asrani), and granddaughters Meeta (Manisha) and Krishna (Jaya Bhaduri). Servants tend to run away from their family every six months because the members are always quarrelling. Raghu (Rajesh Khanna) their latest cook soon starts noticing their quirks and starts placating them one by one, winning their trust in the process. There’s harmony in the house and the brothers start interacting with each other. Raghu turns out to be a Good Samaritan in disguise whose mission in life is to bring peace and happiness to families who are in dire need of it. Namak Haram (1973) Cast: Rajesh Khanna, Rekha, Amitabh Bachchan This film was the beginning of the end of Rajesh Khanna’s reign. He played a man who infiltrates the trade union in order to avenge the humiliation faced by his industrialist pal and then starts respecting the workers’ rights and their fight against the capitalist culture. Well, the best friend’s role was played by Amitabh Bachchan. According to movie lore, Khanna was offered this role first but he declined it as he saw more merit in the role of a suffering martyr. The audience thought otherwise and was more taken in by Bachchan’s brooding persona. Bachchan had another hit the same year, the massive Zanjeer, in which he played the angry young cop to perfection and effectively took over the superstar’s mantle. Abhimaan (1973) Cast: Amitabh Bachchan, Jaya Bachchan, Asrani, Bindu, A.K. Hangal Subir (Amitabh Bachchan) a renowned singer is a darling of the masses and much in demand. Once, while visiting his aunt in a remote village, he listens to Uma (Jaya Bachchan) singing and falls in love with her. They get married and initially, their days pass in blissful serenity. Trouble starts when Subir asks her to take up singing professionally. She reluctantly agrees and soon her popularity soars. She’s more in demand than him and he can’t digest this fact. Differences crop up between them. He leaves her and she suffers a miscarriage. She becomes hugely depressed because of it. The only way out is through music. Amitabh and Jaya complete each other in the film and perhaps have given the finest performance as a pair in the film. Mili (1975) Cast: Amitabh Bachchan, Jaya Bachchan and Ashok Kumar Mili (Jaya Bachchan) has pernicious anaemia, a disease which was considered incurable back then. She’s the apple of everyone’s eye in her building, especially of children, with whom she plays boisterously despite the age difference. A new tenant Shekhar (Amitabh Bachchan) comes to live in their building and their paths cross. Shekhar is a man running from his past and wants to drown his sorrow in alcohol. Once, in a fit of depression, he tries to commit suicide and is saved by Mili and her father (Ashok Kumar). Mili and Shekhar come closer and sort of fall in love with each other. He marries her and takes her to Switzerland in search of a cure. The film ends on an open note. We don’t know what happens further in Mili and Shekhar’s lives and can only hope for a positive outcome. Chupke Chupke (1975) Cast: Dharmendra, Amitabh Bachchan, Sharmila Tagore, Jaya Bachchan The film was a remake of the Bengali film Chhadmabeshi (1971), starring Uttam Kumar and Madhabi Mukherjee. It centred around the prank played by Dr Parimal (Dharmendra), on his brother-in-law Raghav Sharma (Om Prakash). Parimal comes to Mumbai posing as a driver from Allahabad and is instantly hired. Sometimes later, Sulekha (Sharmila Tagore), too lands up at her sister’s place. The growing intimacy between the driver and Sulekha is frowned upon by all. Catastrophe strikes when they elope and Sukumar (Amitabh Bachchan) posing as Parimal, comes to Mumbai. He is made to stay in a mutual friend Prashant’s (Asrani) house and love blossoms between Sukumar and Prashant’s sister-in-law Vasudha (Jaya), leading to further confusion. Khubsoorat (1980) Cast: Rekha, Rakesh Roshan, Ashok Kumar, Dina Pathak and Shashikala When Manju (Rekha) comes to stay for some time with elder sister Anju (Aradhana) after the latter’s marriage, she’s bewildered to find that it resembles an army barrack more and an actual house less. The house is run in clockwork precision by Anju's strict mother-in-law Nirmala Gupta (Dina Pathak). Dwarka Prasad (Ashok Kumar), her husband, likes gardening, youngest Jagan (Ranjit Chowdhry) loves rock music, while the elder sons like to play cards. The middle son Inder (Rakesh Roshan) is studying to be a doctor and starts liking Manju. Everyone follows their hobbies but in secret. Manju brings a revolution of sorts in the house by making sure everyone enjoys themselves in Nirmala’s absence. It so happens that Dwarka Prasad has a heart attack and it’s Manju who saves his life by keeping a sane head at the time of calamity. Rekha was at her finest in the film and carried it on her shoulders.。从076型两栖攻击舰“四川舰”到传闻中的六代机首飞，再到空警-3000曝光，看起来像是技术上的“炫技”，其实更像硬实力的“宣言”。先说“四川舰”，这艘076型两栖攻击舰亮相之后，就把全球海军圈燃炸了。原本大家还认为，美国的“美国”级两栖攻击舰已经够可以了，能搭载F-35B战斗机和“鱼鹰”倾转旋翼机，航母味十足。但是“四川舰”的登场直接改变了游戏规则。最惊艳的亮点就是搭载了电磁弹射系统。要知道，这项技术此前全球只有美国“福特”级航母在用，而且“福特”号的问题多到快成梗了。中国解决了技术难题，还把这套系统直接用在两栖攻击舰上，试问还有谁？有了电磁弹射之后，“四川舰”就可以起飞多种固定翼飞机，包括无人机，战力和作战灵活性直接上了一个台阶。再加上“四川舰”超4万吨的排水量，还有全通飞行甲板，看起来更像是一艘轻型航母。无论是登陆作战，还是执行空中支援任务，甚至是无人机作战，它都可以轻松应对，活脱脱一个“全能选手”。需注意到，比“四川舰”本身更震撼是它的建造速度。从2023年10月开工到2024年12月下水，整整14个月，这个效率放眼全球，直接让外媒哑口无言。
三 | 关于美国的“福特”级航母，十多年才磨出一艘，问题还一大堆。中国一艘四万多吨的大舰不到一年半就造出来了，质量还完全在线。西方媒体都直言不讳地说，这种速度让美国感到“极度不安”。
四 | 毕竟造舰速度是工业体系实力的反映，这才是真正的“杀手锏”。“四川舰”的热度还没散，六代机的首飞传闻又吸引了全球目光。从曝光的图片来看，这款六代机采用了无尾翼设计，隐身性能和气动布局相当激进。最吸引注意的是，它还配备了三台发动机，这种配置大大增强了续航能力和作战半径。另外，六代机还能携带无人机协同作战。试想一下，主机负责隐身突袭，无人机则在旁边骚扰、侦察甚至直接进攻。这种玩法能把敌人的雷达、预警机、运输机全部瘫痪。对比之下，美国的NGAD六代机项目进展缓慢，造价更是高到离谱，一架要3亿美元。而国的六代机已经进入首飞阶段，性能看起来还不输。这让美军的心里压力只会更大。这也是一种侧面提醒，美国航母编队在南海挑事？周边某些国家做小动作？中国的立场很明确，和平合作我们欢迎，要是搅局闹事会“奉陪到底”。四川舰”14个月下水看似惊艳，但绝不是偶然现象。从055万吨驱逐舰到075型两栖攻击舰，再到今天的076型，中国造舰的能力已经完全处于世界顶级水准。换句话说，这是一场经过几十年厚积薄发的“工业奇迹”。视频来源：海峡网视频加载中...曾几何时，中国的军工还要看别人的脸色。
五 | 如今曾经的技术封锁早已被一一突破。
六 | 今天的中国，用自主创新将曾经的技术壁垒全部给打破！四川舰”的下水只是一个开始，后续的舾装和试航一定还会有更多的亮点。六代机的首飞，更是意味着中国在航空领域的一个全新时代。可以预见，未来几年，中国军工还会继续上演更多让人眼前一亮的“硬核秀场”。信息来源新重庆-重庆日报2024-12-31 20:34发布：四川舰、六代机……中国军工年底“大爆发”受关注环球时报2024-12-29 10:25发布：美媒发现：“076”确实不一般。
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